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LAMBO PUBLISHING · ADULT UPMARKET LITERARY SUSPENSE · LORII MYERS

SYNTONIA

Hear what is yours.

On the House's final live night, an orderly farewell becomes evidence—forcing its founders to decide who has the right to carry a voice forward.

SYNTONIA, a novel by Lorii Myers
Genre
Adult upmarket literary suspense
Manuscript
71,845 words · 245 rendered pages
Structure
29 chapters + epilogue
Status
F-02-F · Authoritative Master v3.2 · independent human edit next

STORY + ORIGINAL MUSIC

Enter SYNTONIA through its overture.

“Signal Overture” opens the project's intended musical world and is presented here as a complete authorized work.

ORIGINAL MUSICAL SCORE · FULL PLAYSignal OvertureLorii Myers · 2:45

THE STORY

At midnight, the House will belong to someone else.

For eighteen years, Sophia Bell has shaped the House's broadcasts and guarded its reputation. Her final program should be simple: one live audience, one approved farewell, one orderly transfer. Then an excluded contributor's name appears on air—and the farewell becomes evidence.

A record under pressure

The House has preserved voices, but not always the conditions under which they were given. As the final broadcast unfolds, the distinction between keeping a record and taking it becomes impossible to ignore.

Two founders, one final night

Michael once shared Sophia's work and life. Now the buyer wants continuity, the audience wants answers and both founders must decide what can honestly survive the transfer.

WHAT SETS IT APART

A contained night with consequences beyond the room.

Voice as contested ground

The novel asks who owns a voice once it has entered an archive—and whether preservation can remain ethical when consent changes.

Institutional suspense

Pressure builds through approvals, omissions, live decisions and the approaching transfer of ownership rather than through conventional spectacle.

Intimate moral stakes

Sophia and Michael's shared history gives every institutional choice a personal cost without reducing the story's wider questions.

OFFICIAL BLURB

A farewell becomes evidence.

At midnight, the House will belong to someone else.

For eighteen years, Sophia Bell has shaped its broadcasts and guarded its reputation. Her final program should be simple: one live audience, one approved farewell, one orderly transfer.

Then an excluded contributor's name appears on air—and the farewell becomes evidence.

Michael, the cofounder who once shared Sophia's work and life, knows the breach reaches far beyond one mistake. The House has preserved voices, but not always the conditions under which they were given. The buyer wants continuity. The audience wants answers. Midnight is closing in.

A voice can survive while the person behind it disappears. A record can be protected and still be taken.

Before the lights go out, Sophia and Michael must decide what can be carried forward, who has the right to carry it—and whether an institution built to hold other people's stories can survive the truth about its own.

SYNOPSIS

One final broadcast. One record that can no longer remain orderly.

On the House's final live night, an excluded contributor's name turns an approved farewell into evidence. With ownership transferring at midnight, its founders must decide what can be carried forward and who has the right to carry it.

READ CHAPTER ONE

Chapter One — Final Call

Presented from an author-approved author-review edition.

11:01:40 p.m.

The House had been told how to die: on schedule, on brand, and without contradicting anyone who could still stop the sale.

For most of the evening, Sophia had been able to treat that as a production problem.

Then the clock woke.

It filled the centre monitor in white figures against black.

00:58:20

The final zero arrived before Sophia was ready for it. She had expected an hour. Something generous and whole. The contract had chosen a more exact truth.

At midnight, control of the building would transfer. The buyer’s network would replace theirs. Every active House credential would expire at once, including hers.

Her right thumb rested on the host fader, where a crescent of black paint had worn away beneath eighteen years of broadcasts. She knew that nick better than the switch in her apartment kitchen. She could find it in darkness, after a power failure, while another person panicked in her headset. The transition photographs had made the console look obsolete and heroic. Tomorrow technicians would lift it out in sections. Sophia had signed the equipment schedule without reading that line twice. Now the familiar groove beneath her thumb felt like evidence of a life no contract needed to misunderstand in order to remove.

At the edge of the stage, Nia stood beside a metal tray marked EXCLUDED. The label belonged to the transition team. The tray belonged to the House; it had once held incoming scripts. Now it held six source cards, three photographs, a reel in a clear case and a folded release form with a line drawn through the signature block.

Five years earlier, Nia had asked whether excluded meant no one could later use the recording to explain why she left. Sophia had said yes. She had not asked the system the same question.

Mara looked through the glass from the technical booth. Two fingers in the air: clock confirmed.

Sophia answered with one.

Proceed.

The old room came alive: relay switches, archive ventilation, red door lamps, work light over two hundred blue-grey seats. They had spent eighteen years making it disappear. Tonight it was the subject.

On the console in front of Sophia lay a black binder with a new white label.

FINAL HOUSE TRANSMISSION — APPROVED

The word had appeared on every version sent by the buyer. Approved script. Approved sources. Approved recollections. Approved image of the people they had been.

Sophia opened to the first page although she knew it by memory.

The greeting was twenty-seven seconds long. It thanked the audience, acknowledged the House’s history and welcomed the continuation that would follow under new ownership. It did not use the word sale. It did not use the word closing. It did not mention the archive except as a legacy collection being transferred for preservation.

Nothing in it was false.

That had become its own kind of problem.

“Central path is clean,” Mara said in Sophia’s headset. “External return still unavailable.”

“Expected?” Sophia asked.

“Expected by them.”

Mara never used the buyer’s name when the internal channel was open. It was one of the small freedoms she had invented after the contract was signed.

Across the stage, Theo carried three portable receivers. At Sophia’s direction, he left one on battery power outside the House path. At the catalogue bench, Jae Morin kept a paper audit moving, marking each mismatch by hand.

“Stage right, upper aisle, battery only,” Theo repeated, converting Sophia’s decision into procedure.

There it was. The old ease of the place. One person said a thing with enough certainty; another carried it into the world.

Sophia looked down at the binder.

Keep the room narrow. Give no mistake room to grow.

The thought was reasonable. Most dangerous thoughts were, at first.

Nia lifted one of the cards, read it, then looked through the control-room glass at Sophia.

Sophia pressed the talk button. “Something wrong?”

“Depends what you think this tray means.”

“It means those sources aren’t in the broadcast.”

“I know what excluded means.”

Nia’s voice remained level. That made people listen more carefully than anger would have.

“I’m asking whether it means gone.”

Sophia glanced at the clock.

00:57:31

“Nothing is being destroyed tonight.”

Nia held up the card. “That wasn’t my question.”

Mara opened Sophia’s channel before she could answer.

“I need your first position.”

Sophia released the talk button. Nia waited another second, then returned the card to the tray without looking away.

The stage lights dropped to their opening level.

A low electronic pulse moved into the room, three notes attempting a pattern and losing it. The sound had opened House programs for years. The buyer heard continuity in it. Sophia heard incompletion.

Company voices entered from the dark.

“Channel two ready.”

“Camera return confirmed.”

“Archive booth standing by.”

“House path only.”

The phrases came from Michael’s earliest running orders, before every irregularity required a meeting.

Sophia looked at the transfer position on the far side of the booth.

Empty.

“Has he called?” she asked.

Mara did not pretend to misunderstand. “He cleared security four minutes ago.”

“That wasn’t what I asked.”

“Then no.”

The outside receiver in Theo’s hands made a brief sound.

Not feedback. Not part of the opening track. A thin descending tone, distant and clean.

Theo looked down at it.

Mara’s head turned sharply. “Receiver three, power off.”

“It’s off.”

The tone disappeared.

Theo turned the unit over as if the answer might be printed beneath it. Sophia could see the empty network slot from the booth. No cable. No active light. No route into the central path.

The storm-regulation seal still covered the receiver’s service plate.

“Put it outside,” Sophia said.

“Outside the path?”

“Outside the room.”

Theo moved.

The instruction landed with more force than she intended. Nia noticed. So did Elias, standing at the archive microphone with his headphones resting around his neck rather than over his ears.

The clock reached 00:56:44.

Sophia turned the first page of the binder.

Her opening microphone lamp should have been green.

It remained dark.

Mara touched the control. Nothing happened.

“Local lock,” she said.

“There is no local lock on this channel.”

“There is tonight.”

The booth door opened behind Sophia.

Michael entered carrying a graphite equipment case in one hand and a transfer drive in the other.

He had not dressed for a farewell. Dark trousers, black shirt, sleeves pushed back once. No jacket for the cameras. No visible concession to the fact that this was the last time either of them would stand inside the system they had built.

He set the case beneath the transfer console.

“Your host channel is assigned to the buyer’s automation,” he said.

No greeting. No apology for arriving after the clock.

Sophia kept her face toward the stage. “Can you release it?”

“Yes.”

“Will you?”

He looked at the dark microphone lamp, then at the approved binder.

“Are you reading what’s in there?”

“That isn’t a technical question.”

“It determines whether I open the channel.”

The pulse beneath them changed. Company positions shifted onstage. The first programmed entrance was twelve seconds away.

Sophia turned to him fully.

Five years had altered less than she had expected and more than she could name quickly. The silver at his temples was new. So was the stillness with which he met her anger. He used to answer intensity by becoming more exact. Now he seemed to wait for it to exhaust itself.

She disliked the improvement immediately.

“Open my microphone, Michael.”

“Tell me whether the words will be yours.”

“The broadcast is already live.”

“That also isn’t an answer.”

Mara spoke into both their headsets. “Eight seconds.”

Michael connected the transfer drive.

The console recognized him before it recognized the buyer.

Legacy administrator, the screen reported.

Sophia had objected to that credential remaining active. The transition team had said removing it before the archive moved would create unnecessary risk.

Michael had always been easiest to keep when he was necessary.

“Five,” Mara said.

He opened Sophia’s channel.

The lamp turned green.

Sophia looked through the glass at the people onstage: Nia beside the excluded tray, Elias at a microphone he had not yet agreed to use, Theo returning without the receiver, Mara reflected faintly in the booth glass, and Michael’s empty position among them.

The approved greeting waited on the page.

She closed the binder.

“Good evening,” she said. “For the final fifty-six minutes of this House, we are going to be exact about what belongs to whom.”

Mara’s hands stopped above the console.

Michael looked at Sophia, not the clock.

No one cut her microphone.

The opening pulse continued under the silence she had created. It found the three-note pattern again. For one measure, the notes held.

Then a second tone entered from somewhere beyond the central path and bent the last note out of shape.

Michael moved to the archive screen.

“What did you connect?” he asked Mara.

“Nothing.”

“Something requested a handshake.”

Sophia reopened the binder. A loose sheet slipped from behind the approved greeting and landed faceup on the console.

One word had been written across it in Michael’s hand.

SYNTONIA

He stared at the page.

“You kept that?”

Before Sophia could answer, an amber indicator appeared at the bottom of the archive screen.

SOURCE 19 — EXCLUDED CHANNEL REQUEST PENDING

The clock changed to 00:55:59.

On the page, Michael’s old handwriting named the thing they had never learned to make last. On the screen, a source neither of them had permission to use waited for an answer.

© 2026 Lorii Myers. All rights reserved. 1,598 words. The full manuscript remains private and is available only through the rights holder.

PUBLISHING & SCREEN CONVERSATIONS

A complete, contained literary suspense novel with screen potential.

SYNTONIA's single-night structure, live-broadcast pressure and layered questions of voice, memory and consent create a focused story world for the page and a naturally cinematic foundation for adaptation.

The novel also anchors an intended musical and original-music world, with each form to be developed separately and introduced only when its presentation is ready.

The author-review manuscript remains private. An independent human line edit, beta read and final author checks remain; qualified editors, agents, publishers and adaptation partners may request a sample or professional conversation from the rights holder.

SYNTONIA cover

SELECTED WORDS FROM THE MANUSCRIPT

From SYNTONIA

Approved quotations by Lorii Myers, selected to accompany this manuscript’s public blurb and synopsis.

Preservation without a sole keeper required other people to accept custody they had not requested.
Lorii Myers · SYNTONIA
“No use is still not an answer to who may keep it.”
Lorii Myers · SYNTONIA