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LAMBO PUBLISHING · ILLUSTRATED PROVOCATIONS · LORII MYERS

BOOJ

booj /bōōj/ n. v. excl.
Don’t fix the interesting part! BOOJ is a small idea that sends the next one somewhere unexpected.

BOOK names the object. BOOJ names what happens inside it. The J is the jump.

Don’t fix the interesting part!

BOOJ cover artwork with black lettering, a pink idea trail, a faceless figure and a coffee-brown stain
Stage
Printed for author review
Manuscript
44,865 words
Pagination
259 rendered pages
Structure
12 parts · 120 illustrated chapters
Complete
120 of 120 provocations
Visuals
120 original illustrations
Status
NF-18-F · Authoritative Master v0.23 · independent human edit next
Cover
Approved front and back cover artwork

BOOK + MUSIC

Hear the official BOOJ companion song.

Written to extend the book's playful jump from one unexpected idea into the next—and carrying its signature rule: Don’t fix the interesting part!

OFFICIAL COMPANION SONG · FULL PLAYBOOJLorii Myers · 3:46

PROJECT OVERVIEW

A typo found the door the intended word could not.

BOOJ began when BOOK became BOOJ—one finger, one key to the left. The accident became a form: brief, illustrated jumps that disturb a settled thought and send the next one somewhere less obedient.

The rule

Don’t fix the interesting part! Improve the craft without correcting away the nerve.

The range

Love, work, money, technology, bodies, memory, art, belief, dishwashers, pirates and zombies all enter the argument.

The complete build

All twelve parts and 120 chapters are complete, each with its own pull quote and visual accomplice. The current print edit follows the edition printed for Lorii Myers's author review.

THE TWELVE-PART STRUCTURE

Everything we keep mistaking for settled.

Twelve complete parts move from wrongness, ordinary objects and unsupervised humans through love, work, technology, the body, memory, language, power—and finally pirates, zombies, aliens and mutiny.

PART ONE · CHAPTERS 1–10

WRONG HAS POSSIBILITIES

PART TWO · CHAPTERS 11–20

ORDINARY OBJECTS ARE GETTING COCKY

PART THREE · CHAPTERS 21–30

HUMANS, UNSUPERVISED

PART FOUR · CHAPTERS 31–40

LOVE, LUST & OTHER UNSCHEDULED EVENTS

PART FIVE · CHAPTERS 41–50

WORK, MONEY & LAMINATED NONSENSE

PART SIX · CHAPTERS 51–60

MACHINES, SCIENCE & THE FUTURE’S PASSWORD

PART SEVEN · CHAPTERS 61–70

THE BODY IGNORED THE BROCHURE

PART EIGHT · CHAPTERS 71–80

TIME, MEMORY & OTHER UNRELIABLE WITNESSES

PART NINE · CHAPTERS 81–90

ART, LANGUAGE & BEAUTIFUL NOISE

PART TEN · CHAPTERS 91–100

FOOD, ANIMALS & A PLANET WITH OPINIONS

PART ELEVEN · CHAPTERS 101–110

POWER, BELIEF & BIG SERIOUS FACES

PART TWELVE · CHAPTERS 111–120

PIRATES, ZOMBIES & EVERYTHING ELSE THAT ESCAPED

OFFICIAL BLURB

BOOJ WAS A TYPO. CORRECTING IT WOULD HAVE BEEN THE MISTAKE.

One keystroke to the left, BOOK became BOOJ—and an accident became a word screaming to be used.

This is not a book of answers. It is 120 short, sharp, illustrated provocations designed to knock one thought into the next and see where your mind lands.

Creativity. Work. Money. Sex. Technology. Relationships. Power. Belief. Then the metaphors escape: pirates, zombies, aliens and mutiny tear through the last polite assumptions. Beneath the absurdity is a sharper target: the ordinary nonsense we have agreed to call normal.

Open anywhere. Read one. Laugh. Argue. Scribble back. Send it to the person who will understand immediately—and the one who definitely won’t.

This is anti-self-help for people who do not need fixing. It offers no steps, no habits to stack and no obedient conclusion. Only permission to look again, especially where everyone else stopped looking.

BOOJ doesn’t ask for agreement. It asks for ignition.

DON’T FIX THE INTERESTING PART!

NO MERCY FOR LAZY ASSUMPTIONS.
PLENTY OF MERCY FOR PEOPLE.

Use it as a noun, a verb, an exclamation, a compliment, a challenge—or a refusal to let certainty leave without a bag check.

BOOJ it, baby!

SYNOPSIS

The wrong word proved more useful than the correction.

BOOJ began with one finger landing one key to the left. BOOK became BOOJ—and the error proved more useful than the correction.

In 120 compact illustrated chapters, Lorii Myers applies that jump to the things we rarely inspect because they look too ordinary to be dangerous: ambition, work, money, desire, relationships, bodies, algorithms, beauty, belief, authority and the phrase that's just how it's done.

Dishwashers reveal ideology. Chemistry refuses to become a contract. Coffee supplies a morning alibi. God acquires terrible spokespeople. Pirates expose respectable theft; zombies keep dead processes attending meetings.

BOOJ is funny, sharp and merciful in the right direction. It has no habits to stack, superior self to manufacture or obedient conclusion waiting at the back. Read straight through or open anywhere. Laugh, wince, recognize yourself, argue in the margin—and look again where certainty expected to leave unsearched.

READ THE FIRST BOOJ

Wrong Key. Right Door.

Presented from an author-approved author-review edition.

Most mistakes know their place.

They appear, look ashamed and wait beside the backspace key for execution.

That’s the deal. Correct things get to live. Wrong things disappear before anyone discovers that the mind has been operating without adult supervision.

But occasionally, the wrong key opens something.

Not what you intended. Intention is already sulking about that. It had an itinerary, matching luggage and a firm belief that the destination would justify the beige journey.

The wrong key doesn’t care.

Accuracy is excellent at reaching known addresses. It follows instructions, respects signage and parks between the lines. This is desirable when landing planes, calculating payroll or removing the correct kidney.

It’s less useful when the destination doesn’t exist yet.

You cannot take the proper route to an undiscovered place. There is no proper route. There is barely a place.

The wrong key barges sideways. It turns a solemn phrase ridiculous, ruins a tidy sentence or removes the word that was holding the entire idea hostage. It finds the hole in the plan and has the nerve to call it an entrance.

That is the insult of a good mistake:

It can understand the work before the person making it does.

We prefer grander mythology. The artist saw the whole thing in a flash. The inventor meant every wobble. The writer selected exactly the right word while staring magnificently through rain.

Nonsense.

Something slipped.

The hand moved before the committee met. The material refused instructions. A line broke in the wrong place and the wrong place had better lighting.

The mistake didn’t manufacture a miracle. It exposed the possibility crouching beside the plan, bored out of its mind.

Of course, most wrong keys remain wrong. They reject passwords, rename colleagues and turn urgent messages into discussions about ducks.

But now and then an error has voltage.

The mind passes it, stops, backs up.

Wait. What was that?

There. That small treason against momentum.

Good sense arrives with disinfectant and a clipboard just as the maker feels the old heat: somebody will see this before I can explain it. The hand reaches for backspace. The thing is alive before it’s defensible.

A mistake can be more accurate than the intention it interrupted.

The plan knew exactly where it was going.

That was the problem.

The wrong key found the door.

© 2026 Lorii Myers. All rights reserved. 388 words. The full manuscript remains private and is available only through the rights holder.

AUTHOR REVIEW

Don’t fix the interesting part!

Authoritative Master v0.23 has passed contents, pagination and full-render verification. Independent human editing, image and name clearance, and final printer-specific cover preparation remain before publication.

BOOJ cover

SELECTED WORDS FROM THE MANUSCRIPT

From BOOJ

Approved quotations by Lorii Myers, selected to accompany this manuscript’s public blurb and synopsis.

“A book that survives every reader without disagreement is probably decorative storage.”
Lorii Myers · BOOJ