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LAMBO PUBLISHING · UPMARKET BOOK-CLUB FICTION · LORII MYERS

A BEAUTIFUL
MAN

Nothing is dramatically wrong. That may be the hardest truth of all.

Alana Ward has built a life no one would think to question: a formidable career, a marriage measured in decades and a husband whose quiet steadiness makes leaving harder, not easier.

A high-stakes negotiation puts Rick Morgan on the other end of the line. Twenty-eight years younger, he listens beyond Alana's practiced answers and asks what she has spent years avoiding.

At the piano, music returns as a language for everything she has kept composed and quiet. Its unfinished phrases reveal a truth she can no longer postpone.

Peter has not failed her. Their history is not disposable. And leaving him is not the same as choosing Rick.

Rick does not make Alana feel young again. He makes her feel unmistakably herself. But love cannot erase time, family or what twenty-eight years may require of them.

To live truthfully, Alana must choose without rescue—and risk discovering that the love which awakened her may not be the love that remains.

A bittersweet novel about late awakening and the courage to stop postponing one's life.

A BEAUTIFUL MAN, a novel by Lorii Myers
Genre
Upmarket book-club fiction
Manuscript
66,689 words · 258 rendered pages
Status
F-06-F · Authoritative Master v41 · independent human edit next

BOOK + MUSIC

Hear the song written to accompany the novel.

“A Beautiful Man” carries the book's emotional world beyond the page as its official companion song.

OFFICIAL COMPANION SONG · FULL PLAYA Beautiful ManLorii Myers · 3:57

THE STORY

Being needed is not the same as being fully seen.

Alana's competence has made her indispensable to the life she knows. Rick's steadiness brings a different possibility into view—and forces her to decide what loyalty costs when it leaves no room for a life that is truly her own.

SYNOPSIS

A life organized around control meets a steadiness it cannot dismiss.

Alana Ward has built a life around competence, loyalty and control. Then Rick Morgan enters it with a steadiness she cannot dismiss, forcing her to confront the difference between being needed and being fully seen—and the cost of choosing a life that is truly her own.

READ CHAPTER ONE

Chapter One

Presented from an author-approved author-review edition.

Nearly three months earlier, the first thing Rick Morgan asked Alana Ward was not whether she could solve the problem. He asked what she believed the problem was.

The distinction irritated her.

At 8:47 on a Thursday night, a forty-minute call had become seventy-three. Alana sat in her home office with a legal pad, cold coffee, and six impatient faces on-screen. Rick’s camera was off. Days before signing, a supposedly settled customer claim had returned, and both sides were protecting their version of how it happened. Rick represented the buyer on strategy and risk; Alana had been brought in because expensive disagreements tended to move once she entered them. Until he spoke, she had assumed he was listening badly.

“The problem,” she said, “is that we have an unverified statement in an agreement that depends on verification.”

“That is the fact,” Rick replied.

His voice was lower than she expected, deliberate without being slow. He did not sound impressed by the hour, the money, or the importance everyone else had spent the call establishing.

“The fact is usually where I begin.”

“Where do you end?”

“With a solution.”

One of the lawyers smiled at his screen. The others remained carefully neutral.

Rick said, “You’ve proposed a solution. I’m asking what you believe the problem is.”

Alana looked at the black square.

“Do you always make simple questions inconvenient?”

“Only when someone gives them an expensive answer.”

The laugh escaped her before she could decide whether to allow it.

There was a short pause.

“Are you laughing at me?” he asked.

Something in his voice had changed. The composure was still there, but underneath it she heard a younger note, almost boyish. It surprised her more than the joke.

“No.”

“That was very quick.”

“I’m laughing because I didn’t expect you to be funny.”

“I am not sure that improves matters.”

“It was not intended to.”

This time he laughed. It was brief and unguarded, and the call became easier without becoming less serious.

Alana turned her legal pad sideways and drew a line through the answer she had prepared.

“The problem is appearance,” she said. “Everyone wants to preserve the appearance that the statement was always reliable. It wasn’t. Someone found that out late, and now the energy is going into protecting the history instead of correcting the present.”

“Better.”

“I was not waiting for a grade.”

“Good. I wasn’t qualified to give one.”

“Then what were you doing?”

“Trying to understand how you decide what matters.”

The sentence landed differently from the others. People usually wanted Alana’s conclusions. They wanted her to choose a direction, calculate the exposure, make the call. If the result held, no one asked how she had arrived there. If it failed, everyone became fascinated by the route.

Rick seemed interested before there was a verdict.

She disliked the effect enough to return to the document.

“What matters is that the person who disclosed the problem is not punished for disclosing it. We verify the underlying facts, tell both sides what changed, and adjust the terms if the evidence requires it.”

“You are protecting him.”

“I am protecting the transaction.”

“Those are not always different.”

Alana set down her pen.

“He made an error. Then he corrected it when correction became more costly than silence. If we turn him into the problem, the next person with bad news will learn to keep it.”

“So you trust him.”

“No.”

The answer was immediate.

“Then I’ve misunderstood.”

He did not explain the mistake or soften it. Alana noticed. In business, people often called themselves open-minded when they meant they would consider new information after exhausting every method of making it agree with them.

“Trust predicts what I believe someone will do,” she said. “Respect governs what I do, even when I’m uncertain about them. I can verify his work without humiliating him. I can protect the deal without pretending the mistake did not happen.”

“So you can doubt him without making him small.”

“Yes.”

“I had the order wrong.”

Again, he said it easily.

One of the principals cleared his throat and reminded them that the revised agreement was due the next morning. The call returned to clauses, evidence, responsibility, and timing. Neither mistook disagreement for disrespect.

By 9:31, the solution was complete enough to survive morning.

The lawyers left first. The principals followed after exchanging the weary promises people made when they expected someone else to finish the work. Alana reached for the button that would end the call.

“Ms. Ward.”

She stopped.

Only two squares remained: hers, lit by the desk lamp, and his, still black.

“Alana is fine.”

“Rick.”

“I assumed.”

“You do that often?”

“Use people’s first names?”

“Assume.”

“Only when I’m certain.”

“That is a polished answer.”

“You object to those?”

“I am beginning to.”

She leaned back. Beyond the office door, the house was quiet. Peter had gone upstairs an hour earlier. He had opened the door once, pointed at the clock, and mouthed that he had left dinner in the oven. She had nodded her thanks without removing her headset.

“Was there something else about the agreement?” she asked.

“No.”

The single word should have ended the call.

It did not.

Rick said, “Why did you take this assignment?”

“You’ve read the file.”

“The file explains why they hired you.”

“And you want to know?”

“Why you said yes.”

Alana glanced again at the time. She had an email to rewrite, figures to confirm, and a husband who had eaten alone. The responsible answer was that she had accepted because the work suited her firm and the outcome mattered to her client. Both statements were true. Neither was the answer.

“Because I could see how to fix it.”

“There you are.”

She frowned at his initials.

“Where was I?”

“Behind the reasons.”

“You make competence sound like a hiding place.”

“Isn’t it?”

“Not for me.”

“Maybe,” he said. A beat passed. “Or I’m trying to fit your answer into mine.” For the first time, he sounded less certain than curious.

“I like making things work,” she said at last. “Especially when everyone else has decided they’re too complicated.”

“That sounds like joy.”

“It sounds like work.”

“They’re allowed to know each other.”

“You speak as though they’ve been introduced.”

“Haven’t they?”

She looked down at the legal pad. The page held arrows, amounts, names, and the clean route through a problem six educated people had spent three weeks enlarging. She had enjoyed finding it. She had enjoyed the instant when confusion gave way and everyone could see what had been there all along.

She could not remember the last time anyone had asked whether her enjoyment mattered.

“Perhaps briefly,” she said.

“I thought so.”

“Don’t become pleased with yourself.”

“Too late.”

She laughed again.

“You do that easily,” he said.

“What?”

“Laugh.”

“You have insufficient data.”

“Then we should speak again.”

His answer came so quickly that she wondered whether he had been waiting for the opening. The thought felt faintly absurd. She knew nothing about him beyond the file, the voice, and the fact that he could change his mind without making a ceremony of it.

“We still have a transaction to finish,” she said.

“That too.”

Alana chose the narrower meaning. It was the only one she had evidence for.

“Good night, Rick.”

“Good night, Alana.”

The black square disappeared.

For several seconds she remained at her desk, listening to the quiet that replaced him.

Then she closed the computer and went to find her dinner.

Peter had covered a plate with foil and left it in the warm oven. A note lay on the counter in his familiar block printing: SAUCE IN FRIDGE. PORCH LIGHT FIXED. DO NOT WORK ALL NIGHT.

Alana smiled.

The porch light had been flickering for weeks. She had mentioned it once while they were carrying groceries inside, and Peter had remembered. His attention moved reliably toward whatever could be repaired with the right part.

She carried the plate to the table. A minute later he appeared in the doorway in socks and an old university sweatshirt.

“I thought you went to bed.”

“I did. You closed your computer.”

“That woke you?”

“The silence did.”

He sat across from her while she removed the foil.

“Did you win?”

“There was no winning.”

“Then why did it take so long?”

“We had to make sure everyone was equally dissatisfied.”

Peter smiled. “That sounds more like it.”

She laughed, and for a moment the ease between them was complete. It was the ease of people who had spent decades learning the location of each other’s humour. She knew when his annoyance was performance. He knew when her severity had begun to entertain her. They had raised a family inside that knowledge, built businesses beside it, buried parents with it, and carried it through seasons when almost everything else had become difficult.

“What was the real problem?” he asked.

The question startled her.

“A statement no one verified.”

“That seems careless.”

“It was.”

“And you fixed it.”

“We found a way.”

“You always do.”

He said it with pride, not dismissal. Still, the conversation closed around the answer. Peter did not ask what she had believed the problem was. Alana did not tell him that someone else had.

He rose, touched her shoulder as he passed, and told her not to forget the sauce.

“I saw the note.”

“Seeing and doing are different departments.”

“Go back to bed.”

“Equally dissatisfied,” he said, and left her smiling at the table.

There was kindness in the room after him.

There was also a silence she had become skilled at furnishing.

At 10:18, her phone lit beside the plate.

Rick’s message contained no greeting.

I have been thinking about your distinction. I was wrong about what you were protecting.

Alana read it twice before answering.

You were wrong about several things. Please be specific.

His reply arrived almost at once.

You were not protecting the person who made the error. You were protecting the truth from becoming a weapon.

She stopped chewing.

The sentence found a place in her that the business call had not earned access to.

Years earlier, during a lawsuit that had consumed more than the original dispute deserved, she had watched truth become strategy. Alana learned to document everything. It was wisdom, sometimes. Sometimes it was the architecture of a locked door.

She typed, deleted, and typed again.

Honesty cannot survive if every admission becomes evidence for the prosecution.

She nearly removed the sentence. It was too personal for a man she had met as initials on a screen.

Then she sent it.

Three dots appeared, vanished, and returned. Then Rick sent another question.

What would have changed your mind tonight?

About the deal?

About your solution.

She considered replying Evidence. It was the answer he expected and the answer she had given everyone else. Instead, she carried the plate to the sink, returned to the table, and let the question remain visible.

What would change her mind?

The loss of money would not. She had lost money before. Disapproval would not; she had survived rooms in which every person preferred a quieter woman. Even failure, if it came honestly, would not be enough. The thing she could not tolerate was discovering that she had protected her own position at the expense of what she knew.

She wrote:

If I learned I was defending the outcome because it was mine.

The reply took longer this time.

That is a difficult standard.

It is meant to be.

For you or for everyone?

She stared at the words.

Alana turned the phone face down. The question had reached past the conversation, and she refused to reward that with speed. She cleared the kitchen, checked the back door, then returned ten minutes later.

For me first, she wrote. Anyone else can decide for themselves.

The reply came after a pause.

That makes sense.

She finished the dishes, checked the lock on the back door, and turned off the kitchen light. Upstairs, Peter was reading with his glasses low on his nose. He moved her pillow away from the lamp and asked whether she had sent the revised instructions.

“First thing in the morning.”

“Good call?”

She set her phone face down on the nightstand.

“Interesting.”

“Better than bad.”

“Usually.”

He returned to his book.

Alana lay beside him in the soft domestic light and thought about a black square on a screen. Not the man. She was careful about that distinction. She thought about the experience of having someone examine the structure of her answer without trying to take it from her.

Before sleep, she opened the notes application on her phone and wrote one sentence:

What we protect reveals what we believe.

It looked too certain. She added a question mark, then removed it.

Beside Peter, in the life that worked, Alana found herself revising an answer no one had ever asked her to defend.

She had not begun to wait for Rick Morgan.

She had begun, more dangerously, to notice the part of herself that appeared when he called.

© 2026 Lorii Myers. All rights reserved. 2,196 words. The full manuscript remains private and is available only through the rights holder.

SCREEN ADAPTATION · S-03-PILOT

A BEAUTIFUL MAN

At fifty-eight, commercial strategist Alana Ward confronts the end of a long marriage, an ethically compromised transaction and the man whose questions make postponing her own life impossible.

Current draft

Current authority v1.3 · 27 August 2026. One-hour drama · 56 screenplay pages.

Television structure

Scripted teaser + five acts. One-hour pilot + supporting package v1.0; continuing drama engine established.

Professional availability

Available for television story editing and development conversations. The screenplay remains private.

Public teaser summary: At 6:14 a.m., Alana leaves the home and husband she has known for decades without being rescued by the man she has not yet met. The story then turns back nearly three months to the high-stakes business call where one inconvenient question changed the direction of her life.

PUBLISHING & SCREEN CONVERSATIONS

An upmarket novel available for qualified conversation.

The full manuscript remains private. Chapter One is available above; qualified agents, editors, publishers and screen partners may request additional materials directly from the rights holder.

A BEAUTIFUL MAN cover

SELECTED WORDS FROM THE MANUSCRIPT

From A BEAUTIFUL MAN

Approved quotations by Lorii Myers, selected to accompany this manuscript’s public blurb and synopsis.

““I am pleased that your life exists when I am not in it.””
Lorii Myers · A BEAUTIFUL MAN